Doctor Faustus. Character list

Faustus - The protagonist. Faustus is a brilliant sixteenth-century scholar from Wittenberg, Germany, whose ambition for knowledge, wealth, and worldly might makes him willing to pay the ultimate price—his soul—to Lucifer in exchange for supernatural powers. Faustus’s initial tragic grandeur is diminished by the fact that he never seems completely sure of the decision to forfeit his soul and constantly wavers about whether or not to repent. His ambition is admirable and initially awesome, yet he ultimately lacks a certain inner strength. He is unable to embrace his dark path wholeheartedly but is also unwilling to admit his mistake. Read more...

Mephastophilis - A devil whom Faustus summons with his initial magical experiments. Mephastophilis’s motivations are ambiguous: on the one hand, his oft-expressed goal is to catch Faustus’s soul and carry it off to hell; on the other hand, he actively attempts to dissuade Faustus from making a deal with Lucifer by warning him about the horrors of hell. Mephastophilis is ultimately as tragic a figure as Faustus, with his moving, regretful accounts of what the devils have lost in their eternal separation from God and his repeated reflections on the pain that comes with damnation. Read more...

Chorus - A character who stands outside the story, providing narration and commentary. The Chorus was customary in Greek tragedy.

Old Man - An enigmatic figure who appears in the final scene. The old man urges Faustus to repent and to ask God for mercy. He seems to replace the good and evil angels, who, in the first scene, try to influence Faustus’s behavior.

Good Angel - A spirit that urges Faustus to repent for his pact with Lucifer and return to God. Along with the old man and the bad angel, the good angel represents, in many ways, Faustus’s conscience and divided will between good and evil.

Evil Angel - A spirit that serves as the counterpart to the good angel and provides Faustus with reasons not to repent for sins against God. The evil angel represents the evil half of Faustus’s conscience.

Lucifer - The prince of devils, the ruler of hell, and Mephastophilis’s master.
Wagner - Faustus’s servant. Wagner uses his master’s books to learn how to summon devils and work magic.

Clown - A clown who becomes Wagner’s servant. The clown’s antics provide comic relief; he is a ridiculous character, and his absurd behavior initially contrasts with Faustus’s grandeur. As the play goes on, though, Faustus’s behavior comes to resemble that of the clown.

Robin - An ostler, or innkeeper, who, like the clown, provides a comic contrast to Faustus. Robin and his friend Rafe learn some basic conjuring, demonstrating that even the least scholarly can possess skill in magic. Marlowe includes Robin and Rafe to illustrate Faustus’s degradation as he submits to simple trickery such as theirs.

Rafe - An ostler, and a friend of Robin. Rafe appears as Dick (Robin’s friend and a clown) in B-text editions of Doctor Faustus.

Valdes and Cornelius - Two friends of Faustus, both magicians, who teach him the art of black magic.

Horse-courser - A horse-trader who buys a horse from Faustus, which vanishes after the horse-courser rides it into the water, leading him to seek revenge.

The Scholars - Faustus’s colleagues at the University of Wittenberg. Loyal to Faustus, the scholars appear at the beginning and end of the play to express dismay at the turn Faustus’s studies have taken, to marvel at his achievements, and then to hear his agonized confession of his pact with Lucifer.

The pope - The head of the Roman Catholic Church and a powerful political figure in the Europe of Faustus’s day. The pope serves as both a source of amusement for the play’s Protestant audience and a symbol of the religious faith that Faustus has rejected.

Emperor Charles V - The most powerful monarch in Europe, whose court Faustus visits.

Knight - A German nobleman at the emperor’s court. The knight is skeptical of Faustus’s power, and Faustus makes antlers sprout from his head to teach him a lesson. The knight is further developed and known as Benvolio in B-text versions of Doctor Faustus; Benvolio seeks revenge on Faustus and plans to murder him.

Bruno - A candidate for the papacy, supported by the emperor. Bruno is captured by the pope and freed by Faustus. Bruno appears only in B-text versions of Doctor Faustus.

Duke of Vanholt - A German nobleman whom Faustus visits.

Martino and Frederick - Friends of Benvolio who reluctantly join his attempt to kill Faustus. Martino and Frederick appear only in B-text versions of Doctor Faustus.

The Tragical History of Doctor Faustus

"Dr. Faustus", etching by Rembrandt

"Hell hath no limits, nor is circumscribed,
In one self place, but where we are is hell,
And where hell is there must we ever be.
And to be short, when all the world dissolves,
And every creature shall be purified,
All places shall be hell that is not heaven."
Mephastophilis to Faustus, Act 2, Scene 1

Faustus learns necromancy

As a prologue, the Chorus tells us about the type of play Doctor Faustus is. It is not about war or courtly love, but rather about Faustus, who was born of lower class parents. This can be seen as a departure from the Medieval tradition; Faustus holds a lower status than kings and saints, but his story is still worth being told. It gives an introduction to his wisdom and abilities, most notably in divinity which he excels so tremendously that he is awarded a doctorate. During this opening, we also get our first clue to the source of Faustus' downfall. Faustus is likened to the story of Icarus, who flew too close to the sun with his waxen wings and as a result fell to his death when the sun melted the wax. This does indeed clue us to Faustus's end as well as bringing our attention to the idea of hubris (excessive pride) which is represented in the Icarus story.

Faustus comments that he has reached the end of every subject he has studied, for instance, the skill of argumentative attributed to Logic. He dismisses Logic as being a tool for arguing; Medicine as being unvalued unless it allowed raising the dead and immortality; Law as being petty and below him; Divinity as useless because he feels that all humans commit sin, and thus to have sins punishable by death complicates the logic of Divinity. He dismisses it as "What doctrine call you this? Que Sera Sera (What will be, shall be)".

He calls upon his servant Wagner to bring forth Valdes and Cornelius, two famous magicians. The good angel and the bad angel dispense their own perspective of his interest in Magic. Though Faustus is momentarily dissuaded, proclaiming "How am I glutted with conceit of this?", he is apparently won over by the possibilities Magic offers to him. Valdes declares that if Faustus devotes himself to Magic, he must vow not to study anything else and points out that great things are indeed possible with someone of Faustus' standing.

Faustus' absence is noted by two scholars who are less accomplished than Faustus himself. They request that Wagner reveal Faustus' present location, a request which Wagner haughtily denies. We can see Wagner as a person who thinks very highly of himself. The two scholars worry about Faustus falling deep into the art of Magic and leave to inform the head of the university.

Faustus summons a devil, under the presence of Lucifer and other devils although Faustus is unaware of it. After creating a circle and speaking an incantation, a devil named Mephostophilis appears before him. Faustus is unable to tolerate the hideous looks of the devil and commands it to change its form to that of a Franciscan friar, a shape which suits a demon best, an ironic statement used to mock religion. Faustus, in seeing the obedience of the devil (for changing form), takes pride in his skill. He tries to bind the devil to his service but is unable to because Mephostophilis already serves Lucifer, the prince of devils. Mephostophilis also reveals that it was not Faustus's power that summoned him but rather anyone that abjured the scriptures would result in the devil coming to claim one's soul. Thus, nobody can summon a demon without placing themselves in danger of damnation.

Mephostophilis introduces the history of Lucifer and the other devils while indirectly telling Faustus that hell has no circumference and is more of a state of mind than a physical location. Faustus' inquiries into the nature of hell lead to Mephistopheles saying: "Oh Faustus, leave these frivolous demands, which strikes a terror to my fainting soul." Mephostophilis seems to imply that Faustus's questioning has reminded Mephistopheles of his origins.

The pact with Lucifer

Using Mephistopheles as a messenger, Faustus strikes a deal with Lucifer: he is to be allotted twenty-four years of life on Earth, during which time he will have Mephistopheles as his personal servant. At the end he will give his soul over to Lucifer as payment and spend the rest of time as one damned to hell. This deal is to be sealed in Faustus' own blood. Interestingly, at first his blood congeals, leading to second thoughts by Faustus. After cutting a second time, Faustus finds the congealed blood on his arm has formed a Latin inscription instructing him to run away. Despite the dramatic nature of this obvious divine intervention, Faustus disregards the inscription with the presumption that he is already damned by his actions thus far, therefore left with no place to flee to. Mephistopheles brings coals to break the wound open again, and thus Mephistopheles begins his servitude and Faustus his oath.

Wasting his skills

Faustus begins by learning much about the sciences. He has an interesting debate with Mephistopheles regarding astronomy and the "nine spheres". Two angels, good and bad, appear to Faustus giving him the chance to repent and revoke his oath to Lucifer. This is the largest fault of Faustus throughout the play: he is blind to his own salvation. Though he is told initially by Mephistopheles to "leave these frivolous demands," Faustus remains set on his soul's damnation.

Lucifer brings to Faustus the personification of the seven deadly sins. Faustus recognizes these as detestable, but ignores the echo of his own 'detestable' life.
From this point until the end of the play, Faustus does nothing worthwhile, having begun his pact with the attitude that he would be able to do anything. Faustus appears to scholars and warns them that he is damned and will not be long on the earth. He gives a speech about how he is damned and eventually seems to repent for his deeds. Mephistopheles comes to collect his soul, and Faustus' body is found by his friends and colleagues, dismembered.

Damnation or salvation

The text leaves Faustus' final confrontation with Mephistopheles offstage, and his final fate ambiguous. The scene following begins with Faustus' friends discovering his body parts strewn about the stage: from this they conclude that Faustus was damned. However, his friends decide to give him a due burial, a religious ceremony that hints at salvation. It should be noted that the discovery of the body parts is a scene present only in the later 'B text' of the play; the earlier version of the play, in offering no direct evidence of Faustus' fate, is more ambiguous.

Source: Wikipedia

The Tragical History of Doctor Faustus

http://www.sparknotes.com/lit/doctorfaustus/

Blank Verse

Is a type of poetry, distinguished by having a regular meter, but no rhyme. In English, the meter most commonly used with blank verse has been iambic pentameter (like that which is used in Shakespearean plays) read more...

You stars that reign'd at my nativity,
Whose influence hath allotted death and hell,
Now draw up Faustus like a foggy mist
Into the entrails of yon labouring clouds,
That when they vomit forth into the air,
My limbs may issue from their smoky mouths,
So that my soul may but ascend to Heaven.

Doctor Faustus

The Marlovian theory

The Marlovian theory of Shakespeare authorship holds, first, that Christopher Marlowe did not die on 30th May 1593 as the historical records show, his death having been faked; and second, that in fact he survived long enough to be the main author of the poems and plays typically attributed to William Shakespeare. These are the two things upon which all of those who subscribe to the theory ("Marlovians") would agree.

Against the suggestion that his death was faked are both the fact that it was accepted as genuine by no fewer than sixteen jurors at a coroner's inquest and that there is a complete lack of direct evidence supporting his survival beyond 1593. As for his writing Shakespeare's works, it is generally believed that Marlowe's style—and indeed his whole world-view—are too different to Shakespeare's for this to have been possible, and that all the direct evidence in any case points to William Shakespeare as being the true author. This means that the Marlovian theory is dismissed as nonsense by almost all professional Shakespearian scholars.

Source: Wikipedia

The Passionate Shepherd to His Love

Come live with me and be my Love,
And we will all the pleasures prove
That hills and valleys, dales and field,
Or woods or steepy mountain yields.

And we will sit upon the rocks 5
And see the shepherds feed their flocks,
By shallow rivers, to whose falls
Melodious birds sing madrigals.

And I will make thee beds of roses
And a thousand fragrant posies, 10
A cap of flowers, and a kirtle
Embroider’d all with leaves of myrtle.

A gown made of the finest wool,
Which from our pretty lambs we pull,
Fair linèd slippers for the cold, 15
With buckles of the purest gold.

A belt of straw and ivy buds
With coral clasps and amber studs:
And if these pleasures may thee move,
Come live with me and be my Love. 20

The silver dishes for thy meat
As precious as the gods do eat,
Shall on an ivory table be
Prepared each day for thee and me.

The shepherd swains shall dance and sing 25
For thy delight each May-morning:
If these delights thy mind may move,
Then live with me and be my Love.

Christopher Marlowe (1564–1593)