Centre Section of the triptych Grosstadt, 1927-8, by Otto Dix (1891-1969). It is an evocation of the Gershwin (1898-1937) period - the Jazz Age. This age and the kind of music (Jazz) were condemned by the Nazis as decadent and racially degenerate.The curious case of Benjamin Button
"This story was inspired by a remark of Mark Twain's to the effect that it was a pity that the best part of life came at the beginning and the worst part at the end. By trying the experiment upon only one man in a perfectly normal world I have scarcely given his idea a fair trial. Several weeks after completing it, I discovered an almost identical plot in Samuel Butler's "Note-books.
The story was published in "Collier's" last summer and provoked this startling letter from an anonymous admirer in Cincinnati:
"Sir--
I have read the story Benjamin Button in Colliers and I wish to say that as a short story writer you would make a good lunatic I have seen many peices of cheese in my life but of all the peices of cheese I have ever seen you are the biggest peice. I hate to waste a peice of stationary on you but I will."
Source: The Project Gutenberg EBook of Tales of the Jazz Age"This story was inspired by a remark of Mark Twain's to the effect that it was a pity that the best part of life came at the beginning and the worst part at the end. By trying the experiment upon only one man in a perfectly normal world I have scarcely given his idea a fair trial. Several weeks after completing it, I discovered an almost identical plot in Samuel Butler's "Note-books.
The story was published in "Collier's" last summer and provoked this startling letter from an anonymous admirer in Cincinnati:
"Sir--
I have read the story Benjamin Button in Colliers and I wish to say that as a short story writer you would make a good lunatic I have seen many peices of cheese in my life but of all the peices of cheese I have ever seen you are the biggest peice. I hate to waste a peice of stationary on you but I will."
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